Clay

Clay

Ceramists around the world work with clay in a myriad of ways. Unlike any other material it has a plasticity and fluidity that can take on many forms and portray many textures. It can have an appearance of wood, stone, paper, glass, metal,…yet be of the same material. A medium as basic as this earth component, humble, elegant, surprising, otherworldly, with a history as long as civilization. What form does it take for you? Don't miss this opportunity to be a part of "Clay" at the Cultural Center of Cape Cod.

Beyond Mud: Ceramics in 2023

A NATIONAL JURIED ART EXHIBITION MAY 13  to JUNE 18, 2023
Beyond Mud: Ceramics in 2023, a national juried art exhibition sponsored by the Brooklyn Waterfront Artists Coalition, is seeking ceramic work that explores ideas about form using clay. We are interested in work that is beautiful, exciting, edgy, unusual and/or wonderful. Functionality is not required.

Curator: Sandra Forrest
Juror: Talia Shiroma, Curatorial Assistant, Arts of the Americas and Europe at the Brooklyn Museum

In late May, during the show, BWAC will participate in the Brooklyn Ceramic Arts Tour, a three-day Open Studios Brooklyn-wide event.

Hard & Soft

HARD & SOFT IS AN EXHIBITION OF CERAMICS AND FIBER ARTWORK - HARD BEING CERAMICS AND SOFT BEING FIBER WORK. THIS IS A JURIED COMPETITIVE CALL FOR ART THAT INCLUDES FUNCTIONAL, CONCEPTUAL, REALISTIC AND ABSTRACT WORKS, SCULPTURAL, WALL-HUNG WORKS, AND INSTALLATION ARTWORK. MEDIA. ARTWORK MUST EITHER CONTAIN ONE CERAMIC ELEMENT OR ONE FIBER/TEXTILE ELEMENT.

Art of Fire, Clay, Glass and Metal

Fiery Demos Engage Art Lovers Twenty Sixth Year - June 13-14 Art made with minerals and flame. Clay, glass & metal artists only. Deadline March 9 

Richard McDermott Miller Competition

The Competition will take place at the 2020 Sculpture Conference and will be held in Daniel Chester French’s former studio at Chesterwood. Each selected competitor will receive a Participation Scholarship.

Objective: To successfully model a bust from life (from the neck up), working from a live model. Modeling will be done in front of an audience (sculptors, patrons, and others who are attending the Sculpture Celebration Conference).

Eligibility: Sculptors must have been born between 1984-1999. All applicants must be citizens of or residents in the United States with a social security number.

Barro Tonalteca

During this residency we will find passion and dedication for two prehispanic, Mexican clay making traditions from Tonala Jalisco. These techniques  have been part of the Jimon family for six generations. Their artisanal lifestyle has taken them around the world sharing their knowledge as well as the history, culture and talent of their hometown.
“Barro bruñido” (Rub Clay) technique comes from the rubbing a pyrite stone on the shaped and painted pieces of clay, and as the last step they are burned in a traditional open sky tonaltecan style wood kiln.

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