Fahiem Ul Haq Abdullah

Drawing inspiration from hidden languages and the subtle nuances that make them impactful, Fahiem uncovers the potential of drawing, sculptures, and installations. They challenge the authority of paper itself, showcasing how it can be both a weapon of conflict and a conduit for resolution. While often overlooked, the paper becomes a powerful means of expression, mirroring the dichotomy that defines the lives of those struggling within the legal confines of the constitution.

Veil language” emerges, akin to discovering a vast vocabulary capable of addressing multifaceted issues. This intricate visual language becomes an empowering tool for artists, particularly those hailing from minority backgrounds, affording them the liberty to authentically articulate their thoughts. Minorities often bear the weight of suppression and persecution, ensnared within constitutional loopholes designed to marginalise them.

Beneath the veneer of this authoritative white paper lies the exploration of artistic mediums such as Drawing, Sculptures, and Installations. These forms become vehicles to scrutinise the power dynamics of written authority. If a paper can be instrumental in fomenting conflict, why not employ it to reconcile the very disputes it births? This artistic endeavour engages a “veil language,” one that veils the messages within layers of meaning, aligning with the constitutional complexities.