Eliza

The first OC Annual was launched in August 2012 by Opening Ceremony which is a multifaceted environment comprised of retail spaces, showroom, and gallery that establishes a new international creative forum in downtown Manhattan.

Marie Claire is a monthly women's magazine conceived in France but also distributed in other countries with editions specific to them and in their languages. While each country shares its own special voice with its audience, the United States edition focuses on women around the world and several worldwide issues. The magazine also provides the reader with health, beauty, and fashion information in each issue. Readers can subscribe to it through the mail and online. The reality series, Running In Heels, follows three interns working in the NYC office of the magazine.

Jean Prouvost created the first issue in 1937, which was distributed each Wednesday. French readers flocked to newsstands to buy this early weekly edition, which was a huge success. However, in 1942, German occupation authorities in France stopped the distribution of most magazines, and Marie Claire was one of them. The magazine was not redistributed until 1954. At this time, it became a monthly publication versus a weekly one. In 1976, Prouvost retired and his daughter Évelyne took over the magazine and added L'Oréal Group to the company.

The theme for Marie Claire is “More than a Pretty Face”. The magazine gives readers information about different women around the world and their needs, struggles, and stories of life.

The goal of the magazine is to provide readers with a substantial amount of information about new looks in the fashion industry as well as current issues that women of the world are facing. Moreover, it also adds relationship information, along with a section dedicated to answering specific questions from readers. It provides information pertaining to different items of clothing and accessories, as well as which would be a better deal. Each month recognizes a particular female celebrity by placing her on the cover of the magazine and featuring her in a main article, along with providing monthly horoscope.

Inspiration is made easy by a new bimonthly magazine called Distill, which reprints the most directional and challenging fashion stories published around the globe, from mainstream super-glossies to tiny niche publications — all for the price of one magazine. The idea is so simple, you wonder why someone didn’t think of it before.

Vogue Portugal was launched under licence by Cofina Media in October 2002 and is the fastest growing magazine in the market. The official website, Vogue.pt, launched in May 2011 and has already been nominated for an award by Fashion TV. Vogue magazine is published monthly.

Vogue Girl, launched in 2011, sold out immediately and the app was downloaded more than 550,000 times. It became the leading new-generation media brand for fashion conscious women with its multiple platforms spanning the magazine, website, blogs, SMS and apps. Vogue Girl magazine is published biannually.

The French edition of Vogue magazine, Vogue Paris, is a fashion magazine that has been published since 1920.

1920–1950

The French edition of Vogue was first issued on June 15, 1920. Michel de Brunhoff was the magazine's editor-in-chief from 1929 into the 1940s.

Under Edmonde Charles-Roux (1950-1966)

Edmonde Charles-Roux, who had previously worked at Elle and France-Soir, became the magazine’s editor-in-chief in 1950. Charles-Roux was a great supporter of Christian Dior’s New Look, of which she later said, "It signalled that we could laugh again - that we could be provocative again, and wear things that would grab people's attention in the street." In August 1956, the magazine issued a special ready-to-wear (prêt-à-porter) issue, signaling a shift in fashion's focus from couture production. When later asked about her departure, Charles-Roux refused to confirm or deny this account.

1968-2000: Crescent, Pringle, and Buck

Francine Crescent, whose editorship would later be described as prescient, daring, and courageous, took the helm of French Vogue in 1968. Under her leadership, the magazine became the global leader in fashion photography. Crescent gave Helmut Newton and Guy Bourdin, the magazine's two most influential photographers, complete creative control over their work. During the 1970s, Bourdin and Newton competed to push the envelope of erotic and decadent photography; the "prone and open-mouthed girls of Bourdin" were pitted against the "dark, stiletto-heeled, S&M sirens of Newton". At times, Bourdin's work was so scandalous that Crescent "laid her job on the line" to preserve his artistic independence. The two photographers greatly influenced the late-20th-century image of womanhood and were among the first to realize the importance of image, as opposed to product, in stimulating consumption.

By the late 1980s, however, Newton and Bourdin's star power had faded, and the magazine was "stuck in a rut". Colombe Pringle replaced Crescent as the magazine's editor-in-chief in 1987. Under Pringle’s watch, the magazine recruited new photographers such as Peter Lindbergh and Steven Meisel, who developed their signature styles in the magazine’s pages. Even still, the magazine struggled, remaining dull and heavily reliant on foreign stories. When Pringle left the magazine in 1994, word spread that her resignation had been forced.

Joan Juliet Buck, an American, was named Pringle's successor effective June 1, 1994. Her selection was described by The New York Times as an indication that Conde Nast intended to "modernize the magazine and expand its scope" from its circulation of 80,000. Buck's first two years as editor-in-chief were extremely controversial; many employees resigned or were fired, including the magazine's publishing director and most of its top editors. Though rumors circulated in 1996 that the magazine was on the verge of a shutdown, Buck persevered; during her editorship, the magazine’s circulation ultimately increased 40 percent. Buck remade the magazine in her own cerebral image, tripling the amount of text in the magazine and devoting special issues to art, music, literature, and science. Juliet Buck announced her decision to leave the magazine in December 2000, after her return from a two-month leave of absence. The Sydney Morning Herald later compared her departure, which took place during Milan's fashion week, to the firing of a football coach during a championship game.Carine Roitfeld, who had been the magazine's creative director,was named as Buck's successor the next April.

Under Carine Roitfeld (2001-present)

Roitfeld aimed to restore the magazine's place as a leader in fashion journalism (the magazine "hadn't been so good" since the 1980s, she said) and to [restore] its French identity. Her appointment, which coincided with the ascendance of young designers at several of the most important Paris fashion houses, "brought a youthful energy" to the magazine.

The magazine’s aesthetic evolved to resemble Roitfeld's (that is, "svelte, tough, luxurious, and wholeheartedly in love with dangling-cigarette, bare-chested fashion"). Roitfeld has periodically drawn criticism for the magazine's use of sexuality and humor, which she employs to disrupt fashion's conservatism and pretension. Roitfeld's Vogue is unabashedly elitist, "unconcerned with making fashion wearable or accessible to its readers". Models, not actresses promoting movies, appear on its cover. Its party pages focus on the magazine's own staff, particularly Roitfeld and her daughter Julia. Its regular guest-editorships are given to it-girls like Kate Moss, Sofia Coppola, and Charlotte Gainsbourg. According to The Guardian, "what distinguishes French Vogue is its natural assumption that the reader must have heard of these beautiful people already. And if we haven't? The implication is that that's our misfortune, and the editors aren't about to busy themselves helping us out."Advertising revenue rose 60 percent in 2005, resulting in the best year for ad sales since the mid-1980s.